6 Tips For Quality Run Training

6 Tips For Quality Run Training

Tips for Quality Run Training Train no faster than one pace quicker than the race you are training for. For example, 5k pace is good for an Olympic-distance race, while half-marathon pace suffices...

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Ironman Augusta 70.3 2016 Race Recap

Ironman Augusta 70.3 2016 Race Recap

September 25 was going to be my day.  The Ironman  Augusta 70.3 triathlon was finally here.  The race I had been training so hard for on one of my favorite courses.  It was four-and-a-half months...

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Letter to the Triathlon Coach

Letter to the Triathlon Coach

I have been an endurance coach for some time now.  Once in a while, I receive an email from a client which chokes me up with pride.  Today, I received one of those letters, so instead of sharing it...

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Goof Review: Elf The Musical

The Tampa Bay Bloggers had an opportunity to see Elf the Musical on opening night and as a new member I was thrilled at the chance to take part.  Now as I am a new member I am not sure of the background of my fellow bloggers, but I do have a modest amount of training and experience in theater (www.bradminus.com), so I may be just a tad more specific especially on the acting, but nevertheless I hope my review will be informative enough to help you decide whether to see it or not.  Just a little foreshadowing….go see it.

Elf the Musical is based on the 2003 holiday movie Elf starring Will Farrell about a human baby who found his way into Santa’s bag during his Christmas visit to a local orphanage.  Since the boy was already an orphan, Santa and his elves decided to raise the child at the north pole just as they would any elf child.  The problem was Buddy, the human boy, grew to be over six feet tall.  After a small slip of the tongue by one of the other elves, Buddy learns that he is indeed human and asks Santa about his parents.  It is then that Buddy decides to go and find his father in the big city of New York.

NETwork Presentations LLC’s production of this family Christmas musical was alive with high energy musical numbers, colorful set pieces and smooth transitions from scene to scene.  In the past decade or two, Broadway and national tours have started to move toward high tech sets and stage work which include hgh intensive set changes, creative light and sound effects, and even some pyrotechnics.  Very recently I have noticed a small shift back to a more classical route where the set pieces are simple but painted well, the lighting is simple and the music and sound are achieved by a live orchestra instead of musical tracks.  This musical is a perfect example.  This simpler style has shifted the responsibility of the quality of productions back to the performers and less to the designers of sets, sound and lighting.  In my opinion it makes for a better show, but I may be a little biased.

The play opens up with Santa (Gordon Gray) sitting in his living room fighting with his television set.  He opens the fourth wall and greets the audience as if we were sitting on the floor right in his living room.  After subtly turning off his cell phone, he opens a book and prepares to tell us the story of Buddy the Elf.  At the point the living room is whisked away to Santa’s workshop where the elves are preparing for Christmas.   Gordon’s depiction of Santa throughout the play is wonderful.  His energy and boastfulness helped me to get lost in the show and actually believe I was at the north pole.

Matt Kopec’s characterization of Buddy is spot on as his high energy, child like characterization makes the audience believe this six-foot boy really does believe he is an elf and is horrified when he finds out he is actually human.  Matt’s singing voice is pure musical theater and was a joy to hear every time he opened his mouth.  I found myself waiting impatiently for his next number.

The real treat came from the character of Jovie (Kae Hennies), who captures Buddy’s heart the moment he sees her in the office of his biological father, Walter Hobbs (Drew Culver).  Jovie has to be coaxed in to singing during the number “A Christmas Song”, but when she finally decides to sing out, her voice beautifully resonates throughout the theatre and when paired with Buddy’s the duo create pure musical brilliance for any ear.

Other notable performances were by Michael, Buddy’s half brother played by Connor Barth who even as a young actor, had a mature voice for his age.  He tended to get a little pitchy in the upper registers, but because of his characterization was easily missed and forgivable.  Julia Louise Hosack played Emily Hobbs, Buddy’s step mother, also had a fantastic musical voice and she was able to lead Michael into musical duets that gave me the “warm fuzzies”.  The connection and chemistry between these two well trained actors allowed me to believe they were really mother and son.

The only drawback of this production that tugged me out of my holiday nirvana, was the voice of Drew Pulver whom played Walter Hobbs, Buddy’s father.  His performance was not inferior, it just did not mix well the rest of the ensemble in my humble opinion.  It was obvious to the audience that most of the ensemble were trained in contemporary music or musical theater   When Walter sang it was clearly operatic, to a point where the words were garbled and I couldn’t make out the lyrics.  Unfortunately, every time he sang it was distracting and his voice did not meld with the rest of the ensemble.

This show is classical musical theatre with simply painted sets, wonderful acting, and is sure to bring a smile to you and your family should you decide to see it.  It is a true Holiday treat.

Elf the Musical is playing at
Straz Center for the Performing Arts
1010 North W.C. MacInnes Place
Tampa, Florida 33602
November 20-25
Wed. 7:30 p.m.
Fri. 2 and 8 p.m.
Sat. 2 and 8 p.m.
Sun. 1 and 6:30 p.m.

 

Psychology of the End – Stunning Sunday

Notice the title of this blog is not Psychology of the finish which I could probably write another full posting on.  This is “the end”, because within this life we have a number of endings.  Some of them open new doors, some of them just mean we have more to go.  In triathlon, we end each event just to start another one.  I have noticed a few things about myself that I need to overcome and maybe they may just be similar to what you may be going through.  Some of the tips and tricks I have learned may help, and if they do great, if not you have another tool in your bag to pay it forward to others.

The idea for this posting hits me every time I am in the pool.  As I stated numerous times in early posts, I am not a good swimmer by any means.  I try though.  What I notice is when I am in the pool, I speed up a bit when I see the wall coming up.  I end up a little more winded than planned and I stop after 100 m.  Interesting enough, I do make my turn at 50m, but the 100m wall I want to stop.  This is what I reference as the end, not the finish.  In the beginning of the workout I have many more laps to do, but I end up grabbing an extra breath and a few seconds of rest at each 100m turn.  I know it psychological, because in open water I can just keep going.  Do I change strokes occasionally to check the distance on my watch? Sure, but I continue on in just a few seconds.  So why the difference?  Is it discipline?  Yes, that’s part of it, but it is also, the idea that the wall is right there seems to put the idea in my head that it is the end, so automatically speed up and my breathing changes.  Obviously, this is probably not a common problem because I see a lot of triathletes swim lap after lap after lap.

Swimming isn’t the only event where the psychosis of the end comes into play.  Have you ever gone out on a run knowing you are going to do six miles and at the end you are exhausted even though you might have run conquered much longer distances?  I personally see the end of the workout and something kicks in and I am ready to stop for at least that portion of the session.  I am  not talking about a tempo run or a track workout.  I am talking about just your basic run workout.  Different workouts obviously dictate different intensity.  For example, a 6 mile tempo run will require and higher intensity level then a long slow distance run, just as a track workout has a higher intensity level than even a tempo run.

The question is how can this obstacle of the end be broken?  I have started coming up with a few ways to break through the end in order to keep going in the pool, do the optional mile after a hard track workout or even do that insurmountable transition run after a long hard bike session.

1) Swim – Learn to do flip turns if you don’t already know.  My last workout I started to incorporate flip turns.  I still am learning how to do them correctly, but because I took my 1000m continuous swim to learn to do them, the wall became an opportunity to practice the flip turn, and the 50m swim became the time I assessed how I did, and what I needed to make them better.

2) Run – there are three ways I usually get through this:

  • The optional mile becomes not optional
  • Fake it – no matter how slow you end up going do not worry just get it done and after a while your body will learn to expect it
  • Give yourself a little extra time for recovery.  In our speed workouts the coach gives us a pre-determined amount of recovery prior to the optional mile.  Sometimes I need more, so I take it and then run the extra mile on my own.  

3) Bike-to-Run Transition run – I have only found one real way to get through this myself.  Have your running shoes (and socks) ready to go when you get back and in full eyesight when you either open the car or even pull up.  My friend Nick sometimes trusts his shoes right under his car so he can hang his bike and go.  If you trust that they will still be there this is the best way.  When I personally see my shoes there ready and waiting, I would feel guilty if I didn’t run.  Of course guilt is a more negative emotion, but sometimes the negative emotion can be used for a positive outcome.  In my experience, if I decide to wait, I usually end up cooling down and I just have no desire to run.  If I jump into my shoes and start the run, I feel like I am already running might as well work it the best I can.

In life I have had numerous endings that have also opened new doors to experiences that I would not have had if I didn’t recognize it.  The end of my military career brought me to the corporate world where I have been succeeding.  I had the choice to either stay in the military and continue my career or leave and start another one.  I may have never started on this journey into endurance running and triathlon if I didn’t move on from the military.  At the same time I have been offered numerous times after I finish a project to stay at the same location.  Almost every time I have decided to move on and my following project has always given me the opportunity to learn something new.

In each of our lives there are “ends” to experiences, jobs, education, friendships etc.  I believe the secret lies in recognizing whether it is actually an end or a finish.

Carpe Viam!